We like to shoot concerts: everybody is at work, the light changes every second. I catch pictures like bear catch fish in a waterfall. Beautiful music of different spheres, beautiful people... and it turns out beautifully. A friend tells me that it would be necessary to tell stories about photos, why they are so and why. I caught myself on the fact that I deliberately subconsciously tear out the picture from the context. Here the girl at the microphone as it is — sings. And light, and smoke, and glare and sharpness-blur. Picture. What she sings about at that moment — I don’t remember what she thinks — I don’t know. I didn’t even try to think about what she was thinking, I didn’t think about anything either — merged with music, space and my fingers wrote out the rings of chiaroscuro on the keys of the camera. But I just wrote this when I thought about the meanings. And then I just was there and was and was in that moment, which suddenly ended in silence.
Concert photography has long been a staple of music photography. However, photo and digital artist Georgy is seeking to take this genre to new heights by integrating ecology and art into his work. Georgy's immersive photography is dedicated to restoring harmony between humanity and the natural world.
For Georgy, the aesthetics and philosophy of metamodernism are responsible for humanity's disconnection from nature and our current ecological crises. Through his art, he aims to challenge this paradigm by inviting viewers to reconnect with the natural world and consider our individual and collective responsibility to protect it.
Georgy's concert photography captures the raw energy of live performances while also showcasing the beauty and fragility of the natural world. His images of musicians onstage are juxtaposed with images of nature, emphasizing the interconnectedness of all living things. Through this approach, Georgy's concert photography becomes an extension of his broader artistic vision - one that seeks to promote a more harmonious and sustainable relationship between humanity and the environment.
At the core of Georgy's artistic practice is a deep reverence for the environment and an understanding of its complexity. Georgy's photography showcases the majesty of natural landscapes and creatures, from the vastness of the sea to the intricacy of plant life. His immersive imagery is created using a variety of techniques, including digital manipulation, projection mapping, and soundscapes.
Georgy's concert photography serves as a gateway into his larger body of work. While live performances are often viewed as separate from the natural world, Georgy's images challenge this notion. By bringing images of nature and the environment into the concert experience, he encourages us to consider how music and the environment intersect.
In addition to his concert photography, Georgy's multidisciplinary art practice involves installation and performance art that further explore the intersection of ecology and art. His immersive installations create integrated environments that combine organic and synthetic elements, encouraging a dialogue between the natural and the artificial.
Ultimately, Georgy's concert photography and immersive installations offer a powerful message about the need for ecological consciousness and the role that art can play in inspiring positive change. By showcasing the beauty and complexity of nature through his imagery, he challenges the viewer to consider their relationship with the environment and their responsibility to protect it.
In conclusion, Georgy's work in concert photography serves as a striking reminder of our interconnectedness with the natural world. His images invite viewers to consider the impact of their actions on the environment and to embrace a more harmonious relationship with the planet. Through his immersive photography and installations, Georgy is working towards creating a more sustainable and harmonious future, one in which humanity is intimately connected to the natural world.